Born: | 1943, Auburn CA |
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Education: |
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1965 | BA University of California, Davis |
1966 | MA University of California, Davis |
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Teaching: |
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1990-91 | Linfield College, McMinnville, OR |
1979 | California State University, Sacramento: Summer School |
1978 | California State University, Sacramento: Summer School |
1975-76 | University of California, Davis (1971, '75, '76 Summer School) |
1971-75 | York University, Ontario, Canada |
1976-77 | York University, Ontario, Canada |
1967-69 | San Jose State College, San Jose, CA |
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Very Selected Solo Exhibitions: |
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2000 | Hallie Ford Museum, Willamette University, Salem OR (traveling) |
1999 | DeSaisset Museum, Santa Clara University, CA |
1994 | University of Puget Sound, Tacoma, WA |
1992 | San Jose Museum of Art, San Jose, CA |
1990 | Renshaw Gallery, Linfield College, McMinnville, OR |
1985 | Redding Museum of Art, Redding, CA |
1980 | St. Louis Art Museum, St. Louis, MO |
1978 | A Gilhooly Galaxy |
| | Owens Art Gallery, Sackville, New Brunswick, Canada |
| | Confederation Centre, St. John's, Newfoundland, Canada |
| | York University, Toronto, Ontario, Canada |
| | Art Space, Peterborough, Ontario, Canada |
| | St. Lawrence College, Kingston, Ontario, Canada |
| | University of North Dakota, Grand Rapids, ND |
1977 | ARCO Center for the Visual Arts, Los Angeles, CA |
1976 | Matrix Gallery-Wadsworth Anteneum, Hartford, CT |
| Museum of Contemporary Art, Chicago, IL |
| Vancouver Art Gallery, Vancouver, British Columbia, Canada |
1973 | Gifts from the Frog World |
| | York University, Toronto, Ontario, Canada |
| | Robert McLaughlin Gallery, Oshawa, Ontario, Canada |
1971 | Anna Leonowens Art Gallery, Hallifax, Nova Scotia, Canada |
1970 | Norman MacKenzie Art Gallery, University of Saskatchewan,
Saskatchewan, Regina, Canada |
1968 | M.H. de Young Memorial Museum, San Francisco, CA |
1967 | San Francisco Museum of Art, San Francisco, CA |
1965 | Richmond Art Center, Richmond, CA |
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Very Selected Group Exhibitions: |
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2000 | The Lighter Side of Bay Area Figuration,
San Jose Museum of Art, San Jose, CA |
1999 | Regina Clay Contemporaries, MacKenzie Art Gallery,
Regina, Saskatchewan, Canada |
1998 | Do It, Boise State University Visual Arts Center, Boise, ID |
| The Art of Collaborative Printmaking, Nevada Museum of Art, Reno, NV |
| A Fire for Ceramics: Contemporary Art from the Daniel Jacobs and
Derek Mason Collection, Hand Workshop Art Center, Richmond, VA |
1997 | Trashformations, Whatcom Museum, Bellingham, WA (traveling) |
1994 | Elvis and Marilyn: 2X Immortal, Institute of Contemporary Art,
Boston, MA (traveling for three years) |
1991 | Keeper of the Kiln: 7 Contemporary Ceramic Artists, (traveling for three years) |
1986 | Art Ceramics: Then and Now, Phoenix Art Museum, Phoenix, AZ |
1985 | Art in the San Francisco Bay Area: 1945-1980,
Oakland Museum of Art, Oakland, CA |
1984 | Return of the Narrative, Palm Springs Desert Art Museum, Palm Springs, CA |
1982 | West Coast Ceramics, Crafts Council Gallery, London England |
1981 | Ceramic Sculpture: Six Artists, |
| | Whitney Museum of American Art, New York, NY |
| | San Francisco Museum of Modern Art, San Francisco, CA |
1978 | A Century of Ceramics in the United States: 1878-1978,
Everson Museum of Art, Syracuse, NY |
| West Coast Ceramics, Stedelijk Museum, Amsterdam, Netherlands |
1977 | American Crafts, Philadelphia Museum of Art, Philadelphia, PA |
1976 | Painting and Sculpture: The Modern Era, San Francisco
Museum of Art, San Francisco, CA |
1973 | Clay, Whitney Museum of American Art, New York, NY |
1971 | Joseph Monsen Collection, San Francisco Museum of Art, San Francisco, CA |
1969 | Whitney Sculpture Annual, Whitney Museum of American Art, New York, NY |
1967 | FUNK, |
| | U.C. Berkeley Art Museum, Berkeley, CA |
| | Institute of Contemporary Art, Boston, MA |
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Selected Public Collections: |
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Australia National Council, Canberra, Australia |
National Gallery, Ottawa, Canada |
Oakland Museum of Art, Oakland, CA |
Palm Springs Desert Art Museum, Palm Springs, CA |
Philadelphia Museum of Art, Philadelphia, PA |
San Antonio Museum of Art, San Antonio, TX |
San Francisco Museum of Modern Art, San Francisco, CA |
San Jose Museum of Art, San Jose, CA |
Stanford University, Palo Alto, CA |
Stedelijk Museum, Amsterdam, Netherlands |
University of Arizona Art Collections, Tempe, AZ |
Vancouver Art Gallery, Vancouver, British Columbia, Canada |
Whitney Museum of American Art, New York, NY |
Fine Art Museum of San Francisco, San Francisco, CA |
University of California, Santa Barbara, CA |
Little Rock Art Center, Little Rock, AK |
Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey |
Louisiana State University, Baton Rouge, Louisiana |
Norton Museum of Art, West Palm Beach, FL |
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Recent Publications: |
Books: |
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Peterson, Susan. Working with Clay. New Jersey: Prentice Hall, 1999 |
Guangzhen, "Poslin" Zhou. American Ceramic Artist Today.
Beijing, People's Republic of China: 1998 |
Elvis and Marilyn: 2X Immortal. Geri DePaoli, editor.
New York: Rizzoli International Publications, Inc., 1994 |
Braun, Barbara. Pre-Columbian Art in the Post-Columbian World.
New York: Harry N. Abrams, Inc., 1993 |
David Gilhooly. Davis, CA: John Natsoulas Press, 1992 |
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Articles: |
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Kerry Morgan. "Beyond Frogs and Clay: Works on Paper by David Gilhooly".
Stanford University Museum of Art Journal, (vols. XXVI-XXVII, 1996-1997, p. 57-62) |
"After Arneson", Scholastic Art, (February, 1997) |
Park, Joo-hye. "Plexiglas, David Gilhooly's New Source". Nouvel Object,
(1997, p. 254-259) |
Zhou, Poslin. "David Gilhooly and His Frog World". Artist Magazine, (1997.2, p. 392-393) |
Lee, Hoe-eon. "The Phenomenon of Modern Ceramics". Novel Object, (1996, p. 261) |
Rauchmann, Susanne "The World According to David Gilhooly". 2029 Magazine,
(#10, 1995, p.60-62) |
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Catalogs: |
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San Jose, CA, San Jose Museum of Art. The Lighter Side of Bay Area Figuration, 2000 |
Reno, Nevada Museum of Art. The Art of Collaborative Printmaking:
Smith Andersen Editions, 1998 |
West Palm Beach, FL, Norton Museum of Art. The Animal as Muse, 1998 |
Richmond, VA, Hand Workshop Art Center. A Fire for Ceramics: Contemporary Art
from the Daniel Jacobs and Derek Mason Collection, 1998 |
Santa Clara, CA, Triton Museum of Art. A Bay Area Connection:
Works from the Anderson Collection, 1995 |
Bellingham, WA, Whatcom Museum of History and Art. Trashformations:
Recycled Materials in Contemporary American Art and Design, 1998 |
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