Micaëla Gallery

333 Hayes Street

San Francisco, CA  94102

415.551.8118 f 415.551.8138 info@micaela.com

ABOUT   ARTISTS    BLOG    CALENDAR    

CONSIGNMENT    EPHEMERA    PHILANTHROPY    PUBLICATIONS

JOEL HOYER

 Education 
 1974 Research Florence, Italy 
 1974 Research London, England 
 1972 Kuliche Studio, New York 
 1970-1 Independent Study, San Francisco 
 1967-8 San Francisco Academy of Art 
 1966 Portland Museum of Art School 
  
 Instructor 
 1980 - present Master Tutor 
 1989 Master Class, Northern Virginia Community College, Manassas, VA 
 1988 Master Class, Arlington Center for the Arts 
 1987 Master Class, James Madison University, Harrison, VA 
 1986-7 Guest Lecturer, Middle Street Gallery, Washington, VA 
 1985 Master Class, Tidewater Community College, Virginia Beach 
  
 Fellowships, Grants 
 1994 - 2001 Visual Aid Grant 
 1987 Project Grant for "A Blue Ridge Collaboration" 
   Virginia Commission for the Arts, Richmond, VA 
 1985 Fellowship Grant 
   Lester Cooke Foundation, Washington, DC 
 1985 Artist in Residence 
   Tidewater Community College, Virginia Beach, VA 
 1977 Guest Lecturer 
   University of California at Berkeley 
   and Stanford University, Palo Alto, CA 
  
 Collaborations 
 2004 "VIEWS" Joel Hoyer and Martin Freeman, Eagle Rock Center for the Arts, Paintings 
 2002 SITE 2, Random Modern, Tacoma, an installation by Joel Hoyer and Christopher Gerron, Sculpture 
  
 Selected Exhibitions 
 2005 Solo Exhibition, "Pacific Rim," Micaëla Gallery, San Francisco, California 
 2004 

Solo Show, Meditations in Gilding and Egg Tempera, Bert Green Fine Art, Los Angeles, California

 
 2002 Total Life, Eagle Creek Center for the Arts, Paintings  
 1999 Random Modern Gallery, Tacoma, Washington 
 1998 Site, San Francisco, California 
   The Estate Project Site Launched December 1st 1998 
   Museum of Modern Art (NY and SF) 
 1998 Selections Exhibition 97 Academy of Art College, San Francisco 
 1997 Group Exhibition McKesson Plaza Gallery, San Francisco 
 1997 Group Exhibition St. Francis Foundation Gallery, San Francisco 
 1996 Day Without Art, M.H. de Young Memorial Museum, San Francisco 
   A Visual Aid Exhibition, Levi Plaza, San Francisco (Juried Exhibition) 
 1995 American Masters at Gumps, San Francisco 
 1995 San Francisco Craft & Folk Art Museum, San Francisco 
 1994 "Artifacts from Temple No. 4," The Quicksilver Mine Co., Guerneville, CA 
   (Solo Exhibition) 
 1993&4 Levi Strauss & Co., San Francisco 
 1993 Hall Crown Center, Contemporary American Folk Art, Kansas City 
 1992 "Introductions '92," Gumps Gallery, San Francisco (Solo Exhibition) 
 1990 Gumps Gallery, San Francisco 
 1989 "From a Hiding Place" (installation), The Athenaeum Northern Virginia 
   Fine Arts Association, Alexandria, VA (Solo Exhibition) 
 1989 "Perspectus 280," Huntington Museum of Art, Huntington, WV 
 1989 "Mysterious Images", Delaplaine Visual Arts Center, Frederick, MD (Juried Exhibition) 
 1988 Middle Street Gallery, Washington, VA (Solo Exhibition) 
 1987 James Madison University, Harrisburg, VA (Solo Exhibition) 
 1987 The Dance Place, Sponsored by The Wallace Wentworth Gallery, Washington, DC 
   (Solo Exhibition) 
 1986 "Art + Function," Organized by the Public Art Trust, Washington, DC 
 1986 3-D Fiber Outstanding Art, Glen Echo Gallery, Glen Echo, MD 
 1986 Wallace Wentworth Gallery, Washington, DC 
 1986 Middle Street Gallery, Washington, VA 
 1985&6 Artists of the Blue Ridge Invitational, Rappahannock Association for the Arts 
   and the Community, Sperryville, VA 
 1983 Pentimento Gallery, Washington, DC 
 1980 The Louvre, San Francisco, CA 
 1979 Tyson Gallery, San Francisco, CA 
 1978 Corwith Gallery, San Francisco, CA 
  
 Catalogues 
 1989 Perspectus 280, Huntington Museum of Art 
 1989 Mysterious Images, Delaplaine Visual Arts Center 
 1986 Art + Function, Public Art Trust of Washington DC 
  
 Master Gilder Works: 
 The White House, Washington, DC 
 State Department Diplomatic Reception Hall, Washington, DC 
 National Gallery of Art, Washington, DC 
 The U.S. Treasury Department, Washington, DC 
 The Danish Embassy, Washington, DC 
 The Greek Embassy, Washington, DC 
 San Francisco Museum of Modern Art, San Francisco 
 Palace of Legion of Honor, San Francisco 
  
 Reviews 
 "Hoyer's approach to his work is experiential rather than theoretical ...Hoyer exhibits a desire for purity.  His dedication to his media makes for a solid, intriguing body of work." 
  --Los Angeles Times, 3/26/04 
 
 "Hoyer's 'Hiding Place' is like a tiny museum or shrine that invites quiet contemplation... With Hoyer's work, there are hidden aspects that make it speak volumes..." 
  --Michael Welzenbach, Washington Post, 7/22/89 
 
 "Hoyer's art is intimate and atavistic and projects a personal mythos." 
  --Michael Welzenbach, Washington Post, Critics Pick  
 
 "Hoyer's exhibit is affirmation of art's infinite possibilities..." 
  --Daphne Hutchinson, Fauquier Democrat, 9/22/88 
 
 "Joel Hoyer sees his art as part of a global dialogue." 
  --Daphne Hutchinson, Rabbahannock News, 9/3/87 
 
 "Joel Hoyer's work builds on tradition while presenting fresh, even naive vision." 
  --Mary Jo Aagerston, Pentimento, 5/8/83 
 

In 1968 I began to incorporate water gilding in my egg tempera paintings and sculptures. From 1970 to 1997 most of my art work centered around these two mediums. Since 1998, I have been focusing primarily with the gilded surface, both water and oil gilding. I am currently experimenting with, and abstracting this classic and historic medium.

My first memories are from Hawaii and the Pacific coast . Since child hood I have been doing painting and sculptures of mountains islands and volcanoes. " Pacific Rim series " is my most recent of this endeavor. The Fijian Masi used in this work is from the Island of Vatulele in Fiji. It is made from the inner bark of the paper mulberry by scraping and pounding in a traditional process.

Preparation for my panels . The wood is sized with rabbit skin glue then covered in linen soaked in rabbit skin glue. At least 9 coats of traditional Gesso. Gesso is made from bolted whiting, water and rabbit skin glue. The gesso is coated with gilders clay mixed with rabbit skin glue.

Gold is applied with a liquor of water and alcohol, when this has dried the surface is burnished with a gilders agate. -Joel Hoyer

site designed by micaëla   |   copyright © 1997-2008  micaëla